Sarah Toth, soprano, is an international performer of opera, recital, and oratorio.
Sarah Toth recently made her Sydney Symphony Orchestra debut at the Sydney Opera House as Vierte Magd and Die Vertraute in Strauss’s Elektra, sharing the stage with Christine Goerke, Lisa Gasteen, and Cheryl Barker. She recently created the role of Zveryeva in the well-received World Premiere of Mayakovsky with Sydney Chamber Opera. Other recent role debuts include as Mimì in Opera New England’s production of La bohème, and Countess in a new production of Mozart’s Le nozze di Figaro. She has performed numerous other operatic roles including Donna Anna in Mozart’s Don Giovanni, Eurydice in Offenbach’s Orphée aux enfers, Elisetta in Cimarosa’s Il matrimonio segreto, and Second Lady in Mozart’s Die Zauberflöte. She has been the soprano soloist in Mendelssohn’s Elijah, Handel’s Messiah, and Orff’s Carmina Burana.
Sarah trained as a Young Artist at La Musica Lirica Music Festival in Novafeltria, Italy, as an Advanced Artist at OperaWorks Training Program in Los Angeles, California, and as a Mainstage Artist at The Midwest Institute of Opera in Bloomington, Illinois. She was a semi-finalist in the Joan Sutherland & Richard Bonynge Bel Canto Award Competition, and a grant recipient of the same foundation. She was also a semi-finalist at the Sydney Eisteddfod’s McDonald’s Operatic Aria Competition and a first-place winner at the Finger Lakes Regional NATS competition. Sarah completed a Masters of Music in Opera Studies at the Sydney Conservatorium of Music (Australia) and also holds degrees in voice from both Greenville College (Illinois) and Ithaca College (New York). Later this year, Sarah will be joining The Opera Studio at Music Theater Bavaria in Oberaudorf, Germany for intensive career training and audition preparation.